FALL 2014 LECTURES
Tuesday, October 21, 7pm
W.M. Keck Lecture Hall
Join trustee and faculty Greg Otto and an esteemed panel of design faculty Marcelyn Gow, Tom Wiscombe, Alvin Huang and Roland Snooks for a conversation on design aesthetics in the digital age to kick off the 2014 ACADIA Conference. A cocktail party will follow, hosted by Walter P Moore.
Digital computation has revolutionized architectural practice. From design exploration to production and even operation, computing has become pervasive. With new tools come new forms of expression. It can also be said, with new technology comes new emergent constraints. Contemporary architectural work can often be identified as a product of the software used, a consequence of accepting the coded logic, the role of the technician clear. We are interested in architectural expression where the work transcends the platform, where the underlying principles of the work are not code constrained but aspire to a meaningful dialog on design aesthetics.
Wed, Oct 29, 7pm
W.M. Keck Lecture Hall
The recent work of Atelier Hitoshi Abe will be introduced through the notion of informality. Architecture has long been a formal disciple (stiff, organized and official) but may need to loosen up to take advantage of the opportunities of a quickly moving, globalized, networked and informal world. With an expanded bag of tools and techniques (tectonic, technological, social and political) available to the architect, forms of space and social interaction, that address both other human beings and new technologies, can be cultivated. Through the use of informal approaches to programming, spaces of a blurred, boundless, grey and increasingly heterogeneous character are one way to address the conditions of contemporary life and create critical roles for the architect as agent of social suggestion, instigator of novel collaborations and spatial synthesizer.
Hitoshi Abe has had a decade-long distinguished career as a leader in education. He earned his M.Arch from SCI-Arc in 1988 and his Ph.D. from Tohoky University in Sendai, Japan in 1993. Since 1992, when he won first prize in the Miyagi Stadium competition, he has maintained an active international design practice based in Sendai, Japan, and Los Angeles, as well as a schedule of lecturing and publishing which place him among the leaders in his field.
3M Headquarters, Minnesota/Atelier Hitoshi Abe
The work of Atelier Hitoshi Abe has received numerous awards in Japan and internationally. In 2007, he was appointed professor and chair of the UCLA Department of Architecture and Urban Design. In 2010, he was appointed Paul I. and Hisako Terasaki Chair in the Study of Contemporary Japan as well as Director of the UCLA Paul I. and Hisako Terasaki Center for Japanese Studies.
Friday, Oct 31, 1pm
“If centuries ago [script] began gradually to lie down, passing from the upright inscription to the manuscript resting on sloping desks before finally taking itself to bed in the printed book, it now begins just as slowly to rise again from the ground. The newspaper is read more in the vertical than in the horizontal plane, while film and advertisement force the printed word entirely into the dictatorial perpendicular.” - Walter Benjamin, One Way Street (1928)
Digital interfaces organize attention through processes of framing which produce physical and psychic effects that inform how individuals relate to their environment and to each other. Given the increased blurring of private and public space caused by changes in norms of behavior that today’s screens enable, what is architecture’s role in mediating the relationship between digital interfaces and the human body?
This talk examines the ways in which digital interfaces trouble accepted notions of how individuals receive images and read text – and the place of architecture in these exchanges – through a close reading of Walter Benjamin's dictatorial perpendicular.
Jake Matatyaou is an educator, researcher, and designer based in Los Angeles, California. Motivated by exchanges across the disciplines of philosophy, politics, art, and architecture, his built and theoretical projects address questions of material and immaterial modes of cultural production and reception. Matatyaou received a B.A. in Economics and Political Science from UCLA in 2001, a Ph.D. from the Department of Political Science at Northwestern University in 2008, and an M.Arch from Columbia University's Graduate School of Architecture, Planning and Preservation in 2012. He has worked in the offices of Leong Leong Architects, Bernard Tschumi Architects, and is the principal of the research and design practice June. Jake also shapes surfboards for his label June Surfboards (www.junesurfboards.com).
Wed, Nov 5, 7pm
W.M. Keck Lecture Hall
Pita & Bloom is an architectural design studio focused on producing new ways of engaging with the built environment by challenging formal and material conventions. Started in 2010 by Florencia Pita and Jackilin Hah Bloom as a research collaborative, Pita & Bloom’s current investigations include the methodologies of two-dimensional contouring, developing hyper-digitized building tiles, and studying applications of chromatic color in architecture.
The work of Pita & Bloom to date includes competition proposals for cultural buildings such as the Taichung City Cultural Center in Taiwan, an urban housing ideas project in Maribor, Slovenia and an urban park scheme in San Francisco, California. In January of 2014, Pita & Bloom were called "two female visionaries" in Architecture Magazine's Next Progressives. They were one of five finalists of the prestigious MoMA PS1 YAP competition in 2014 and will exhibit their proposal at MoMA in an upcoming show.
Balloon Frame, MoMA PS1 YAP Competition 2014/Pita+Bloom
Florencia Pita is the principal of FPMod and a partner of Pita & Bloom. She graduated from the National University of Rosario, Argentina, School of Architecture, with licensure. In 1999, she was awarded a Fulbright Scholarship to pursue studies at Columbia University, where she received her Master’s Degree in 2001. Her work experience includes the offices of Greg Lynn FORM in Los Angeles, Eisenman Architects in New York City and Asymptote in New York City. Pita holds a full-time faculty position at SCI-Arc and is the editor of the school’s biannual publication of student work, Onramp. She has been a visiting professor at the Pratt Institute in New York and Lund University in Sweden.
Jackilin Hah Bloom is the principal of JHB Studio and partner of Pita & Bloom. She holds a Bachelor of Architecture from the USC School of Architecture and a Masters of Architecture from the UCLA Department of Architecture and Urban Design. Bloom has worked for Daly Genik Architects (currently Kevin Daly Architects) in Los Angeles, and Greg Lynn FORM also in Los Angeles, where she completed ten years of experience in the office’s pioneering digital design and fabrication work. She currently teaches design studios at SCI-Arc.
Fri, Nov 7, 1pm
Approaching the architectural practice from the perspective of a student, the lecture hopes to disassemble the notion of “star-chitect” practices and develop an understanding of the often times chaotic and non-linear inspirations and incidents that lead a practice to a “finished” design. By recounting through personal experience, the lecture will look at specific projects done under the Office for Metropolitan Architecture, as well as one’s own work to understand the growing pains of a young architect, and the optimistic will that inspires design.
Sandy Yum is the principal of XO,Axo with offices in New York and Los Angeles.
Currently teaching at SCI-Arc, her design and research interests range from large urban scale architectural interventions to small furniture designs, with an emphasis on reexamining typologies and their contemporary definitions. Yum received her Bachelor of Architecture from Cornell University and a Master of Architecture from Harvard University Graduate School of Design. She has worked under several distinguished International firms, most recently of which she was Project Lead at the Office for Metropolitan Architecture, New York. She has worked on many award-winning projects with highly acclaimed international status.
Mon, Nov 10, 7pm
W.M. Keck Lecture Hall
Bernard Tschumi will retrace key moments in the architect’s practice, arguing two fundamental points. First, architecture must be made out of ideas and concepts before becoming form. Second, it cannot be dissociated from the events and movement of the bodies that inhabit it. In consequence, architecture demands new modes of notation to construct an architectural language capable of embodying the interactions between space, event, and movement.
Covering projects extending from the early Manhattan Transcripts, situated at the borders of art, literature, and cinema, to the recently completed Paris Zoo, Tschumi will inquire into what architecture can be today.
Bernard Tschumi is an architect based in New York and Paris. First known as a theorist, he exhibited and published The Manhattan Transcripts and wrote Architecture and Disjunction, a series of theoretical essays. Major built works include the Parc de la Villette, the New Acropolis Museum, Le Fresnoy Center for the Contemporary Arts, MuséoParc Alésia and the Paris Zoo. His most recent book is Architecture Concepts: Red is Not a Color, a comprehensive collection of his conceptual and built projects. His drawings and models are in the collections of several major museums, including MoMA in New York and the Centre Pompidou in Paris, including in the spring of 2014, a major retrospective.
Wed, Nov 19, 7pm
W.M. Keck Lecture Hall
Herwig Baumgartner and Scott Uriu, founders of Baumgartner+Uriu (B+U) in Los Angeles, form an internationally recognized design duo operating at the forefront of contemporary design. Their design process has been described as driven by digital techniques and advanced computation that utilizes new technologies and material resources. Their work consistently pushes the boundaries of architecture and urban design, experimenting with new spatial concepts, and intensifying existing urban landscapes in pursuit of a visionary aesthetic that encompasses all fields of design.
B+U's recent installation at SCI-Arc Gallery, Apertures, has been received with critical acclaim. In addition, their work has been on view at the FRAC Center in Orleans; the Centre Pompidou in Paris; the Museum of Contemporary Art (MOCA) in Los Angeles; and the 12th Venice Architecture Biennale. Two monographs have been published on Baumgartner and Uriu’s work. Their designs have also been widely published and discussed in books, magazines and newspapers.
The firm was recently awarded the Maxine Frankel Award for design research, the AIA national award for emerging professionals, the Architizer A+Award for sustainability, and a 2014 City of Los Angeles Artist Grant.
Wed, Dec 3, 7pm
W.M. Keck Lecture Hall
Sou Fujimoto founded Sou Fujimoto Architects in 2000. His most important works include the Serpentine Gallery Pavilion 2013, House NA (2011), the Musashino Art University Museum & Library (2010), the Final Wooden House (2008) and House N (2008). In 2012, he participated in the Japan Pavilion exhibition at the International Architecture Exhibition at the Venice Biennale, which received the Golden Lion for Best National Participation.
In 2013, he became the youngest architect to accept the invitation to design the annual summer pavilion for the Serpentine Gallery in London. Most recently, he won the 2014 International Competition for the Second Folly of Montpellier.
Serpentine Gallery, London, Sou Fujimoto Architects
Among other awards, Fujimoto also received the Grand Prize of the 2006 AR Awards for the Children’s Center for Psychiatric Rehabilitation in Hokkaido, Japan, and the First Prize in the international competition for Taiwan Tower and the Beton Hala Waterfront Center in 2011.